Rick Michel laughs as he recalls a conversation with his mother before singing Sinatra’s “You Make Me Feel So Young.”
At the age of seven, already dabbling into the world of impersonations, he asked his mother which of his impressions was her favorite.
While first requesting Paul Newman, his mother responded with, “How ‘bout Frank Sinatra?”
Michel, a Las Vegas singer, attributed this moment to the start of his career.
“I went down to the basement and got one of the old 33 and one-third albums out, it was Nelson Riddle’s “Sound for Swinging Lovers”, and I took the first cut and I put it on my Panasonic Reel to Reel that I got for my bar mitzvah,” Michel said in between songs at the Largo Cultural Center’s Tonne Playhouse. “Next thing you know, I’m doing Frank Sinatra.”
Michel has been an impersonator for more than 30 years, first as a stand-up comedian and now as a musician. Michel has had the opportunity to share the stage with many successful 1960’s and ‘70’s celebrities; including Rich Little, Mickey Rooney, John Byner and Sherman Hemsley.
“Forever Sinatra: A Tribute to Frank Sinatra” is different from the other comedic acts in his repertoire. He doesn’t pretend to be Sinatra, but rather pays tribute to his idol’s long and wonderful career.
“Nobody can fill his shoes, that’s why I call it an interpretation not an impersonation,” Michel said. “I’m emotionally drained after every show.”
Michel has had Frank Sinatra, President Gerald Ford, Tony Curtis, Bob Hope and Steve Allen in his audience. Meeting Frank Sinatra, he said, was the height of his career.
“There are a lot of moments where I have literally pinched myself,” Michel said. “His aura, I mean standing next to him I can see why women get weak at the knees.”
Michel’s goal is to touch upon all aspects of Sinatra’s life by choosing a variety of music that best represents his career.
In Sunday’s matinee performance, the audience was treated to Sinatra’s greatest hits, including “I’ve Got the World on a String,” “Lady is a Tramp,” “The Way You Look Tonight,” “Fly Me to the Moon,” “Strangers in the Night,” and “New York, New York.”
Almost every seat, in the Tonne Playhouse’s 466 seats, was sold as the audience routinely interrupted the performance with applause.
“It’s just like Ol’ Blue Eyes,” said B.A. Rand Marsters, a Canadian painter and musician in the audience. “I’m a big Sinatra fan and he does him justice.”
The audience responded especially well to the chemistry between Michel and the three other members of his band: Ray Von Rotz on Drums, Mark Neuenschwander on Bass and Stan Collins on the Piano. Michel doesn’t travel with a band, instead he picks up local musicians in the city where he is performing.
“It’s too expensive to travel with a band,” said Leslie Gregory, Michel’s wife of nine years. “You play so many cities, you know people and who contracts bands.”
The performance did not miss a beat once, in fact, the four of them were chatting on stage like old friends throughout most of the show.
“When you’re pros, it makes it easy,” Michel said.
Michel loves being able to bring the audience to a different time. Hearing people tell him if they close their eyes it’s like Sinatra was there is one of his favorite parts. He couldn’t imagine another career.
“It’s the music, it’s the passion, it’s the words,” Michel said. “I can feel the music through my soul.”